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Something snatched, as if by chance, from life. The life of objects.
I wanted to have a lot of things and try to identify everything in general. Distribute the surrounding objects equally attention. There are ceramic sun from Pienza, an Uzbek plate, my favorite copper ashtray with tassels inside, a green ceramic bottle of olive oil, wooden frames with gilded edges, a Balinese horse, a bottle also Tuscan and wilted roses, an iron retro car also from Pienza, and shadows formed from directional light.
I once talked to one person and he said that a still life should calm down, and not vice versa... probably, because still life is a quiet life.
Objects are spiritualized in still lifes. They have their own character, like people, they are sad, meditative, or vice versa - full of irrepressible energy, like children.
I trust my own gut, I like to try what is asking from the inside, or respond to those things of other artists that touch me.
By the way, I bought this ceramic sun from my grandfather in Pienza, and he painted it himself, and it looks very much like him